Sabtu, 18 Januari 2014

[X592.Ebook] Download Business Analysis Valuation: Using Financial Statements (No Cases), by Paul M. Healy, Krishna G. Palepu

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Business Analysis Valuation: Using Financial Statements (No Cases), by Paul M. Healy, Krishna G. Palepu

Financial statements are the basis for a wide range of business analysis. Managers, securities analysts, bankers, and consultants all use them to make business decisions. There is strong demand among business students for course materials that provide a framework for using financial statement data in a variety of business analysis and valuation contexts. BUSINESS ANALYSIS & VALUATION: USING FINANCIAL STATEMENTS, 5E allows you to undertake financial statement analysis using a four-part framework--(1) business strategy analysis for developing an understanding of a firm's competitive strategy; (2) accounting analysis for representing the firm's business economics and strategy in its financial statements, and for developing adjusted accounting measures of performance; (3) financial analysis for ratio analysis and cash flow measures of operating; and (4) prospective analysis. Then, you'll learn how to apply these tools in a variety of decision contexts, including securities analysis, credit analysis, corporate financing policies analysis, mergers and acquisitions analysis, and governance and communication analysis.

  • Sales Rank: #69183 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2012-11-13
  • Format: Color
  • Original language: English
  • Number of items: 1
  • Dimensions: .70" h x 8.20" w x 10.00" l, 1.65 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

About the Author
Paul M. Healy is James R. Williston Professor of Business Administration, and Unit Head, Accounting and Management, at Harvard Business School, Harvard University. Professor Healy joined Harvard Business School as a Professor of Business Administration in 1997. Professor Healy received his B.C.A. Honors (1st Class) in Accounting and Finance from Victoria University, New Zealand in 1977, his M.S. in Economics from the University of Rochester in 1981, his Ph.D. in Business from the University of Rochester in 1983, and is a New Zealand CPA. In New Zealand, Professor Healy worked for Arthur Young and ICI. Prior to joining Harvard, Professor Healy spent fourteen years on the faculty at the M.I.T. Sloan School of Management, where he received awards for teaching excellence in 1991, 1992, and 1997. He is the co-author of one of the leading financial analysis textbooks, Business Analysis & Valuation. In 1993-94 he served as Deputy Dean at the Sloan School, and in 1994-95 he visited London Business School and Harvard Business School. Professor Healy's research includes studies of the role and performance of financial analysts, how firms' disclosure strategies affect their costs of capital, the performance of merging firms after mergers, and managers' financial reporting decisions. His work has been published in The Accounting Review, Journal of Accounting and Economics, Journal of Accounting Research, and Journal of Financial Economics. In 1990, his article "The Effect of Bonus Schemes on Accounting Decisions," published in Journal of Accounting and Economics, was awarded the AICPA/AAA Notable Contribution Award. His text Business Analysis & Valuation was awarded the AICPA/AAA's Wildman Medal for contributions to the practice in 1997 and the AICPA/AAA Notable Contribution Award in 1998.

Krishna G. Palepu is the Ross Graham Walker Professor of Business Administration and Senior Associate Dean for International Development at the Harvard Business School, Harvard University. Prior to assuming his current administrative position, Professor Palepu held other positions at the school, including Senior Associate Dean, Director of Research, and Chair, Accounting and Control Unit. Professor Palepu's current research and teaching activities focus on strategy and governance. In the area of strategy, his recent focus has been on the globalization of emerging markets. In the area of corporate governance, Professor Palepu's work focuses on how to make corporate boards more effective, and on improving corporate disclosure. Professor Palepu teaches these topics in several HBS programs aimed at members of corporate boards: "How to make corporate boards more effective, "Audit Committees in the new era of governance, "Compensation Committees: Preparing the challenges ahead." Professor Palepu has done extensive research on mergers and acquisitions and corporate disclosure. Based on this work, he coauthored the book, Business Analysis and Valuation: Text and Cases, which won the American Accounting Association's Wildman Award for its impact on management practice, as well as the Notable Contribution to the Accounting Literature Award for its impact on academic research. This book, translated into Chinese, Japanese, and Spanish, is widely used in leading MBA programs all over the world. It is accompanied by a business analysis and valuation software model published by the Harvard Business School Publishing Company. Professor Palepu has a doctorate from the Massachusetts Institute of Technology, and an Honorary Doctorate from the Helsinki School of Economics and Business Administration.

Most helpful customer reviews

7 of 9 people found the following review helpful.
Horrible Book
By SM
It was a required textbook for our MBA valuation class. The book is really bad. The formulae are presented without any explanation or derivation, steps are skipped, and the prose reads like rambling of a madman. For example, who can tell me how exactly the top of the table on page 4-19 is derived? No one in our class including the professor could explain it. what about the derivation in page 5-6 ? No one in our class understood that derivation. What about the ramblings on page 7-4 / 7-5 about the discounted abnormal asset valuation method? These are just some examples but the whole book is like this. It may be good for someone who already knows the subject cold as a refresher but not a book where you could learn valuation from. Then there are numerous errors - for example, in page 4-12 the inventory write off example, the tax rate is 20% , so how in the world the deferred tax liability happens to be 8.8? I can go on but it will just say this - Do not expect to learn valuation from this book.

2 of 2 people found the following review helpful.
She Ubiquitously from the Last ( . . . Huh??)
By Aaron B.
"Just THINK of all the money we could save by not sending this to an editor!"

As Harvard professors, the authors probably know their stuff. Unfortunately they're completely incapable of writing it in a coherent manner. When I read this book, I have to re-write and paraphrase every paragraph just to ignore convoluted sentences that don't make any statement. The syntax and rhetoric seems like it was machine-translated from Chinese. And then every-other sentence was taken out. This book will talk about a "previous step," without ever defining the previous step; uses gerunds inappropriately; and has sentences that go nowhere. It's like writing, "The bird is, due to its overly supercilious nature, and owing to it." And you're left trying to decode it. It's like writing, "Step 1--cut the red wire. Step 2--but first cut the blue wire." This book is so bad that my senior-level Writing and Rhetoric Studies course is using this as an exercise to correct writing. It's the fifth edition, and it still has typos. Opearting = Operating on page 6-6.

0 of 0 people found the following review helpful.
The book is useful to get an initial / basic understanding of how ...
By Anna Shivakumar
The book is useful to get an initial / basic understanding of how fundamental analysis should work. It is a good place to start when trying to decode financial statements. The accounting process in particular is very well explained.

The only issue is the lack of consistency in the book. For instance, the WACC is calculated using MM assumptions (particularly the tax effect on debt). But when in explaining the methodology to adjust the cost of equity, these assumptions are not maintained.

Nevertheless a good place to start your analysis!

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Kamis, 16 Januari 2014

[N321.Ebook] Download Ebook PROC SQL: Beyond the Basics Using SAS, Second Edition

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PROC SQL: Beyond the Basics Using SAS, Second Edition

  • Published on: 1602
  • Binding: Paperback

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Selasa, 14 Januari 2014

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  • Sales Rank: #620008 in Books
  • Published on: 2012-12-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x .50" w x 9.90" l, .0 pounds
  • Binding: Hardcover
  • 32 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
I love it when people write good childrens books
By Emily L.
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1 of 1 people found the following review helpful.
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By JENNY M WITZSCHE
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0 of 0 people found the following review helpful.
I love this book
By M.B.
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Senin, 13 Januari 2014

[Z560.Ebook] Get Free Ebook The Art of Technique: An Aesthetic Approach to Film and Video Production, by John S. Douglass, Glenn P. Harnden

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This book provides readers with a teaching tool not currently available. It fills a gap in the literature by going beyond simple discussions of hardware usage, basic technical knowledge, and descriptions of technique to in-depth discussions of how this knowledge can be applied in a coherent approach to production.

  • Sales Rank: #875002 in Books
  • Published on: 1995-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .80" w x 8.90" l, .96 pounds
  • Binding: Paperback
  • 320 pages

From the Back Cover
Just as art students learn by studying the masters, film and video students can learn by studying the works of great film and video artists. The reader will find that the references to film and television series in the index are fairly extensive and emphasizes more current productions rather than older classics. This is to specifically encourage the reader to go to these works and study them. Videotape makes it easy to examine the craft of writers, directors, cinematographers, and editors and to discover techniques that communicate and crate beautiful, interesting, and moving moments on the screen. Videotapes and laserdiscs cannot reproduce the effect of large screen productions, but they are readily available and make repeated viewing possible. The enable students to examine productions closely, using the pause, slow-motion, rewind, and fast-forward scan controls. Clearly these media are invaluable texts for students of production.

Most helpful customer reviews

7 of 7 people found the following review helpful.
good intro for the novice filmmaker
By Dennis Sebastian
this book works very well as an introduction to the creative use of techniques for filmmaking. it is quite clear and concise and is not bogged down by too much technical details or dicussions on film theory. a good starting point.

2 of 2 people found the following review helpful.
A first-rate primer for the aspiring filmmaker
By Lawrance Bernabo
"The Art of Technique: An Aesthetic Approach to Film and Video Production," is more of a primer than it is a critique of cinema. Yes, there is a big difference between this volume by John S. Douglass and Gleen P. Harnden and "Film Art: An Introduction" by David Bordwell and Kristin Thompson. The latter utilizes literally hundreds of frames from both classic and relatively unknown films to demonstrate cinematic techniques. "The Art of Technique" does the same thing with student models. Whether this has to do with the cost of using copyrighted images and/or transforming them into individual frames for use in a book, this is a major difference between the two textbooks. When Douglass and Harnden discuss something, like Ingmar Bergman's use of Extreme Close-ups (ECU) in "Scenes from a Marriage," they can only talk about the extraordinary intimacy it gave the production, without offering visual evidence to support their claim. However, the authors do use their "homemade" examples to good use at time; for example, when exploring the concept of framing they provide examples of "bad" shots (filled with distracting clutter) before showing better choices for the cinematographer.
"The Art of Technique" is divided into two main sections. After an introductory chapter on "Interpretation and Treatment," there are six chapters focusing on the various ways a film can tell a story, essentially pre-production considerations. There is a nice little section detailing the basic types of stories Hollywood tells over and over again ("Jack the Giant Killer," "Fish Out of Water," etc.). Clearly the emphasis here is more on production than criticism, which makes the orientation of this textbook more towards the filmmaker than the movie audience. This first section ends with a look at Mise en Scene and questions of design. In terms of concepts covered, separate from the issue of how those concepts are presented in the textbook, the authors provided a comprehensive, well-organized presentation.
The second half of the book covers "Techniques for Interpretation," which starts with a consideration of the trinity of how the camera, editing and lighting can be used for interpretation. Again, everything is here; I could not find a concept or technique that was an obviously glaring omission. The book concludes with a pair of chapters on Symbols and Significance, which get into the impact film can have on an audience. You might expect to find a glossary at the back of the book, but instead we have a pair of appendixes on Electricity and Measuring Light, which only serves to reaffirm that this book is geared towards the novice filmmaker. If you are looking for a textbook that because you are a budding film critic, then this is not going to be your first choice. I can even make the argument that by not saturating their textbook with frames from dozens of films, Douglass and Harden do their readers a favor, because instead of borrowing shots and techniques from the acknowledged masters of the art form, they are being asked to reinvent the wheel. Do not knock this, because that is basically how we think Orson Welles made "Citizen Kane."

19 of 19 people found the following review helpful.
Best introduction to filmmaking I've found
By Dick Oliver
I teach filmmaking, and needed a book that covers all the basics in a few meaty and meaningful pages. This is it. Most books on filmmaking technique either wax philosophical on the author's pet theories or get lost in gee-wiz-you-can-do-this-neat-trick-with-the-camera mania. There's little of either here; instead, you'll find a focused, highly readable series of lessons on what really matters most--how to communicate a meaningful message on film or video. Unlike some VERY annoying books that give examples of lighting and other techniques via badly drawn line-art, this book shows every technique with actual stills from video shoots so you can see how lighting, framing, lens use, etc. actually change the appearance and impact of a scene.
There are also numerous references to excellent classic and modern films with quite specific suggestions for examining the techniques that make those films work so well. Perhaps most important of all, the authors never lose sight of the fact that filmmaking is about interpreting and creating a reality that evokes a meaningful and powerful experience for the audience.
So if you want a book listing all the oh-so-tacky transitions and effects that your new NLE will do, or a thousand-page treatise on the history of film, THIS AIN'T IT. But if you want a book that will help you quickly learn to put cameras, lighting, and editing in the service of your creativity--buy this one first.

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